By Mar Lar Aung (Culture)

 

Introduction

In today’s global economic landscape, cultural and creative industries (CCIs) have emerged as a significant driver of sustain­able development. These indus­tries harness cultural resources, human creativity, and intellectu­al capital to generate economic, social, and cultural value. Con­sequently, many countries are increasingly prioritizing CCIs within their national develop­ment strategies.

 

Myanmar, with its long and distinguished history, is endowed with a rich cultural heritage and diverse traditional crafts. This cultural wealth provides a strong foundation and considerable po­tential for the development and expansion of cultural and cre­ative industries in the country.

 

Definition of Cultural and Creative Industries

According to UNESCO, cul­tural and creative industries (CCIs) are sectors that rely on creativity, culture, knowledge, and intellectual property to pro­duce goods and services that generate cultural, economic, and social value.

 

More broadly, CCIs can be understood as industries that uti­lize cultural resources and crea­tive capacities to create employ­ment opportunities, stimulate economic growth, and safeguard cultural heritage.

 

These industries encompass a wide range of sectors, includ­ing:

• Performing arts (dance, the­atre, and traditional perfor­mances)

• Visual arts (painting, sculp­ture, and crafts)

• Film and media

• Music

• Cultural tourism

• Traditional crafts and design

• Digital creative industries

• Cultural heritage-related in­dustries

• Other creative sectors

 

The Role of Myanmar Tradi­tional Handicrafts

In Myanmar, cultural and creative industries are deeply rooted in the country’s intangible cultural heritage. These include the Ten Traditional Crafts (Pan Sel Myo), Thanaka, traditional handicrafts, and various forms of traditional artistic expression.

 

The Ten Traditional Crafts – namely blacksmithing (Pan Be), goldsmithing (Pan Tein), bronze smithing (Pan Tin), masonry (Pan Tau), construction (Pan Yan), sculpture (Pan Pu), stucco work (Pan Tamaut), wood turn­ing and lathe work (Pan Pwut), painting (Pan Chi), and lacquer­ware (Pan Yun) – are not only of significant artistic value but also contribute substantially to economic development. As such, they represent a vital component of Myanmar’s CCI sector.

 

A notable example can be found in the Bagan region, where lacquerware (Pan Yun) is par­ticularly prominent. This craft exemplifies the integration of tra­ditional design, artistic creativity, and skilled craftsmanship. Lac­querware products contribute to heritage preservation, tourism development, and the livelihoods of local artisans, thereby reinforc­ing the role of CCIs in sustainable development.

 

Moreover, the integration of traditional handicrafts with tourism generates income op­portunities for local communities, strengthens cultural identity, and enhances both economic and so­cial value.

 

Cultural Tourism

Myanmar is home to nu­merous attractive tourist des­tinations, among which Bagan stands out as one of the most significant cultural heritage sites. Recognized as a UNESCO World Heritage Site, Bagan is renowned for its thousands of temples, pa­godas, and ancient architectural masterpieces.

 

These cultural assets serve as key resources for the devel­opment of cultural tourism. In addition, the Bagan region hosts a wide range of CCI-related ac­tivities, including the production of traditional foods such as fer­mented bean paste (Pon Yay Gyi), jaggery, and various preserved goods, as well as handicrafts such as textiles and lacquerware.

Such industries play an im­portant role in increasing tourism revenue, creating employment opportunities, and supporting the preservation and promotion of cultural heritage.

 

Outcomes of International Cooperation

Knowledge Development

In 2021, UNESCO published Backstage: Managing Creativity and the Arts in South-East Asia, which presents an analysis of cre­ative sectors across nine South- East Asian countries, including Myanmar. The publication pro­vides valuable insights into re­gional creative economies and their development trajectories.

 

The book is available for free online access at the follow­ing link:

https://unesdoc.unesco.org/ ark:/48223/pf0000381380

 

Regional and International Cooperation

The Mekong Institute, with support from the Mekong–Ko­rea Cooperation Fund (MKCF), has been implementing the “Creative4Mekong” project to strengthen creative industries in the region.

 

As part of this initiative, representatives from Mekong countries participated in a knowledge-sharing programme in South Korea in December 2024. Myanmar participants, particu­larly from the Bagan region, gained valuable insights into in­tellectual property systems and creative enterprise development.

 

Such initiatives enhance My­anmar’s collaboration with inter­national partners and contrib­ute to strengthening its cultural and creative industries through knowledge exchange and capac­ity building.

 

ASEAN and Cultural Coop­eration

As a member of the Associa­tion of South-East Asian Nations (ASEAN), Myanmar actively sup­ports regional cultural policies and frameworks, which are en­dorsed at the ministerial level and further adopted at ASEAN Summit meetings.

 

One significant milestone is the Siem Reap Declaration on Promoting a Creative and Adap­tive ASEAN Community to Sup­port the Cultural and Creative Economy, adopted in 2022 in Siem Reap. This declaration aims to strengthen the sustainability of CCIs and enhance cultural and economic resilience across ASE­AN Member States.

 

Background and Rationale

At the 9th Meeting of the ASEAN Ministers Responsible for Culture and Arts (AMCA) in 2020, discussions focused on the impact of the COVID-19 pan­demic on the cultural sector and identified strategic priorities for recovery.

 

Subsequently, at the ASEAN Regional Workshop on Creative Economy (ARWCE) in 2021, the ASEAN Creative Economy was defined as economic activities derived from human creativity, rooted in heritage, culture, arts, design, science, and media.

 

Linkages with Regional Frameworks

The ASEAN Comprehensive Recovery Framework (ACRF) recognizes cultural and creative industries as a key sector for post-pandemic recovery, high­lighting their role in fostering resilience and sustainable de­velopment.

 

Significance of ASEAN Dec­larations

ASEAN cultural declarations aim to:

• Recognize the importance of culture and the arts

• Safeguard and enhance cul­tural heritage

• Promote the development of CCIs

• Strengthen regional cultural cooperation

 

Cooperation and Future Ac­tions

ASEAN Member States are work­ing collaboratively to:

• Promote research and inno­vation in CCIs

• Strengthen the capacity of cultural professionals

• Enhance cultural awareness and knowledge exchange

• Develop cultural tourism

• Expand the use of digital tech­nologies

Through these efforts, CCIs are expected to become a major driving force for sustainable and resilient development in the ASE­AN region.

 

Melaka Declaration on Cul­tural Heritage Value Creation

In October 2025, ASEAN Member States adopted the Mel­aka Declaration on Cultural Her­itage Value Creation. This decla­ration emphasizes the rights of Member States to identify, pro­tect, and promote their cultural heritage while fostering inclusive and sustainable development.

 

It also highlights the impor­tance of investing in cultural and creative industries and promot­ing cultural tourism as a means of generating economic oppor­tunities.

 

Key Agreements

The declaration outlines five priority actions:

• Strengthening legal and in­stitutional frameworks for cultural value chains

• Promoting a whole-of-ASEAN approach to new economic models

• Investing in training and ca­pacity-building programmes

• Enhancing partnerships among cultural institutions and stakeholders

• Improving monitoring and evaluation mechanisms

 

Challenges Faced Within the ASEAN Region

Despite significant progress, the development of CCIs in ASE­AN faces several challenges, in­cluding:

• Limited financial resources

• Weak intellectual property protection systems

• Limited access to modern technologies

• Constraints in market expan­sion

• Declining interest among younger generations in tra­ditional crafts

• Difficulties in accessing raw materials

 

Conclusion

Cultural and creative indus­tries have become an essential pillar of sustainable development, contributing not only to economic growth but also to the enrichment of cultural life and community identity. Myanmar, with its rich cultural heritage and vibrant tra­ditional arts, holds strong poten­tial for advancing its CCI sector.

 

However, realizing this po­tential requires comprehensive and well-coordinated efforts. These include the formulation of effective policies, the strength­ening of intellectual property pro­tection, the provision of targeted financial support, and the imple­mentation of capacity-building programmes.

 

Equally important is the promotion of digital transfor­mation through the develop­ment of online platforms, digital marketplaces, and e-commerce systems. In addition, fostering collaboration among government institutions, the private sector, in­ternational partners, and cultural practitioners is crucial.

 

Through sustained mul­ti-stakeholder cooperation, stra­tegic investments, and policy re­forms, Myanmar’s cultural and creative industries can achieve long-term, sustainable develop­ment and serve as a key driver of cultural and economic growth within the ASEAN region.